The Holiday The Holiday is one of the world's best movies regardless of your relationship status, but it's particularly great at two different times: It sets out many lofty goals for itself. You love the movie, but you feel breathless and spent, like you've given too much. Like I said, this film wants to do a lot of things, and it doesn't succeed at all of them. I love this film. Best motivational line from this one: Salma's fiery spirit is quite a cinematic match for Russell's own undercurrent of simmering violence even if Steve is a bit whimpy for my tastes. More than this, Breaking Up features two brilliant performances by Russell Crowe and Salma Hayek, who are both quite easy on the eye, and look great together. I would not want either one of them for a friend.
Christmastime, of course, and Breakup Time. Under the Tuscan Sun Who needs a man to buy a villa in Tuscany? Technically, there is so much going on--the director had so many great ideas, so many dreams, and you see them right there, in the movie. I can't think of another Hollywood movie with such a major confluence of established styles and innovative techniques. This post-divorce drama tells the story of Diane's Italian adventure — and it'll make you want one too. And I love this movie for the greatness it strives toward. You love the movie, but you feel breathless and spent, like you've given too much. I've seen it about 6 or so times. That philosophy informs my opinion of this movie. It wants two actors to carry an entire movie virtually by themselves, playing against each other, giving the film a stifled, claustrophobic feeling--where the viewer feels just like Steve and Monica. Some people say they never do become very attached to Steve and Monica--indeed, as people, the characters kind of suck. More than this, Breaking Up features two brilliant performances by Russell Crowe and Salma Hayek, who are both quite easy on the eye, and look great together. That does not mean that they do not deserve to be loved, however--they very much deserve each other, that much is clear. I would rather watch a film that fails at its grand project than a little movie that has low expectations and meets them. It wants to use music and sound to resonate with the storyline. Best motivational line from this one: It wants to tell a story using live on-the-street interviews, black-and-white still photography, slow-mo vignettes, traditional Hollywood-styled cinematography, and a split-screen interview of Steve and Monica post-relationship. One tried and true method? My favorite ten minutes of the film center around the "carrot scene," where Steve criticizes Monica for putting carrots in the pasta. For instance, it doesn't really pull off its attempt at using Freud, Einstein, and Marx to lend some credence to its own conclusions or inconclusions about love. Like I said, this film wants to do a lot of things, and it doesn't succeed at all of them. Love a man because he's a brilliant actor and aspires to greatness--not because he can take you to the Oscars when he's nominated for Best Actor. Grab a bottle of your favorite wine, a pint of ice cream Rachel and Monica style , and a great movie. Even in the most heated, passionate argument, it's as if they're just going through the motions. Miss Congeniality This movie kicks ass because it serves as a friendly reminder that you don't have to choose between being strong and being sexy. So, I bawl like a baby every time I watch this.
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